{"id":608,"date":"2026-04-13T14:36:16","date_gmt":"2026-04-13T12:36:16","guid":{"rendered":"https:\/\/sanrocco.e-terna.it\/not-only-tintoretto\/the-grand-staircase\/"},"modified":"2026-05-08T15:13:57","modified_gmt":"2026-05-08T15:13:57","slug":"the-grand-staircase","status":"publish","type":"page","link":"https:\/\/www.scuolagrandesanrocco.org\/en\/not-only-tintoretto\/the-grand-staircase\/","title":{"rendered":"The Grand Staircase"},"content":{"rendered":"\n<div style=\"height:3rem\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:23%\">\n<h2 class=\"wp-block-heading has-text-align-left\">The Grand Staircase<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:77%\">\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">This important component of the building is decorated with works by\u00a0<strong>Antonio Zanchi, Pietro Negri and Giovanni Antonio Fuminani.<\/strong><\/p>\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Antonio Zanchi<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><em><strong>The Virgin appearing to the Plague Victims<\/strong><\/em>, which occupies the whole right-hand wall (as you ascend) stands as one of the great clinching elements of the staircase\u2019s pictorial decoration, concluded only in the second half of the seventeenth century. Completed in 1666, as a \u2018reminder\u2019 of the terrible 1630 plague, it is considered a masterpiece from the hand of Antonio Zanchi, one of the major exponents of the \u2018tenebroso\u2019 school. It is composed in fact of two enormous canvases separated by a pilaster, which the painter brilliantly incorporates into the composition, depicting with a dramatic interplay of light and shade, and a marked naturalistic rendering of anatomy, the terrible situation of the town, with the Virgin and San Roch interceding before Christ for its salvation.<\/p>\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Pietro Negri<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">On the opposite wall of the staircase, a few years after Zanchi\u2019s tour-de-force, in 1673, Pietro Negri illustrated a similar theme, in what is rightly thought to be his masterpiece: The Madonna saving Venice from the plague. The miraculous apparition of the Virgin takes place against an imagined architectural background, in which the only real element is supplied by the Basilica of La Salute, begun in 1631 as an ex voto for the release of the town from the terrible pestilence which had afflicted it, and whose building had not yet been wholly completed at the date of this picture. Both are works of great narrative force.<\/p>\n\n\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Giovanni Antonio Fumiani\u2028<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The fresco decorating the small cupola at the top of the Grand Staircase, notable for its pronounced exercise in foreshortening to meet the perspective of someone mounting the stairs, illustrates Charity holding the flaming torch of Religion before the impoverished sick presented by St. Roch. Previously thought to be the work of Girolamo Pellegrini, it is now attributed to Giovanni Antonio Fiumiani.<br\/>Generally attributed to the same hand are the two canvas lunettes with Allegories of Science, History, Wealth and Peace, placed above the lateral arches and the monochrome muscular atlantes in the pendentives.<\/p>\n<\/div>\n<\/div>\n\n<div style=\"height:3rem\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:23%\">\n<h2 class=\"wp-block-heading\">Gallery<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:77%\">\n<div style=\"height:2rem\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR130-1024x759.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"759\" data-id=\"775\" src=\"https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR130-1024x759.jpg\" alt=\"Antonio Zanchi, The Virgin Appearing to the Plague Victims, oil on canvas (335x555 cm e 635x705 cm), 1666\" class=\"wp-image-775\" srcset=\"https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR130-1024x759.jpg 1024w, https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR130-300x222.jpg 300w, https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR130-768x569.jpg 768w, https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR130.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Antonio Zanchi, The Virgin Appearing to the Plague Victims, oil on canvas (335&#215;555 cm e 635&#215;705 cm), 1666<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR131-1024x756.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"756\" data-id=\"776\" src=\"https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR131-1024x756.jpg\" alt=\"Pietro Negri, The Madonna Saving Venice from the Plague, oil on canvas (335\u00d7555 cm e 635\u00d7705 cm), 1673\" class=\"wp-image-776\" srcset=\"https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR131-1024x756.jpg 1024w, https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR131-300x221.jpg 300w, https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR131-768x567.jpg 768w, https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR131.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Pietro Negri, The Madonna Saving Venice from the Plague, oil on canvas (335\u00d7555 cm e 635\u00d7705 cm), 1673<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR132.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"912\" height=\"900\" data-id=\"777\" src=\"https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR132.jpg\" alt=\"Giovanni Antonio Fumiani, Charity holding the flaming torch of Religion before the impoverished sick presented by St. Roch, fresco (512cm diameter), 1700\" class=\"wp-image-777\" srcset=\"https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR132.jpg 912w, https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR132-300x296.jpg 300w, https:\/\/www.scuolagrandesanrocco.org\/wp-content\/uploads\/2026\/05\/SSR132-768x758.jpg 768w\" sizes=\"auto, (max-width: 912px) 100vw, 912px\" \/><\/a><figcaption class=\"wp-element-caption\">Giovanni Antonio Fumiani, Charity holding the flaming torch of Religion before the impoverished sick presented by St. Roch, fresco (512cm diameter), 1700<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Grand Staircase This important component of the building is decorated with works by\u00a0Antonio Zanchi, Pietro Negri and Giovanni Antonio Fuminani. Antonio Zanchi The Virgin appearing to the Plague Victims, which occupies the whole right-hand wall (as you ascend) stands as one of the great clinching elements of the staircase\u2019s pictorial decoration, concluded only in &hellip; <a href=\"https:\/\/www.scuolagrandesanrocco.org\/en\/not-only-tintoretto\/the-grand-staircase\/\">Continued<\/a><\/p>\n","protected":false},"author":2,"featured_media":874,"parent":558,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_focal_point_x":0.5,"_focal_point_y":0.5,"footnotes":""},"class_list":["post-608","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Grand Staircase - Scuola Grande di San Rocco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.scuolagrandesanrocco.org\/en\/not-only-tintoretto\/the-grand-staircase\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Grand Staircase - Scuola Grande di San Rocco\" \/>\n<meta property=\"og:description\" content=\"The Grand Staircase This important component of the building is decorated with works by\u00a0Antonio Zanchi, Pietro Negri and Giovanni Antonio Fuminani. 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